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Schedule
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by Alan Liu 1 week ago
Schedule of Readings and Assignments for English 236
This graduate course meets during fall quarter 2013 on Tuesdays at 11:00 am to 1:30 pm in the English Department's Transcriptions Center, South Hall 2509.
Class 1 (Oct. 1) — Digital Humanities and the Humanities
[Students are asked to do the readings for this class in advance of the course's first meeting]
- Focal Question What kind of "human" subject do the digital humanities speak from, to, for?
- Focal Readings ("focal readings" are chosen to prompt discussion in class)
- Other Readings ("other readings" support or expand on themes of a particular class; students are free to browse, skip, or read at will)
- From "Humanities Computing" to Digital Humanities":
- The early hypertext moment and hypertext literature:
Class 2 (Oct. 8) — State of the Field
- Focal Question Where is digital humanities? (methodologically, institutionally, socially, geopolitically)
[Some of the focal readings from class 1 will be reprised to complement the more professionally-oriented readings of class 2 about the "field."]
- Alan Liu, "The State of the Digital Humanities: A Report and a Critique," Arts and Humanities in Higher Education, 11.1-2 (2012): 8-41 [paywalled; UCSB students have free access through UCSB Library Proxy server]
- Matthew Jockers, "Welcome to the Big Tent," DH 2011 conference, Stanford U., 19-22 June 2011.
- Stephen Ramsay, "On Building" (2011)
- Natalia Cecire, "Theory and the Virtues of Digital Humanities" (Introduction to section on "Conversations"), Journal of Digital Humanities 1.1 [PDF] (Winter 2011): 44-53.
- Amanda Phillips, "#transformDH -- A Call to Action Following ASA 2011" (26 October 2011); see also the #transformDH web site
- Postcolonial Digital Humanities (#dhpoco) Open Thread, 10-14 May 2013
- James Smithies, "Speaking Back to America, Localizing DH Postcolonialism" (2013)
- GO::DH (Global Outlook::Digital Humanities) [browse site]
- Other Readings
- Patrik Svensson, "Humanities Computing as Digital Humanities" (2009)
- Melissa Terras / U. College London Digital Humanities, "Infographic: Quantifying Digital Humanities" (2012) [download the PDF infographic]
- DiRT, DARIAH, DHCommons, "Draft for Review: Taxonomy of DH Research Activities and Objects" (2013)
- Browse titles in the tables of contents of the following essay collections or conferences:
- A Companion to Digital Humanities, ed. Susan Schreibman, Ray Siemens, and John Unsworth (Blackwell, 2004)
- A Companion to Digital Literary Studies, ed. Ray Siemens and Susan Schreibman (Blackwell, 2007)
- Debates in the Digital Humanities, ed. Matthew K. Gold (University of Minnesota Press, 2012); open access edition, 2013.
- Literary Studies in the Digital Age: An Evolving Anthology, ed. Kenneth M. Price and Ray Siemens (MLA Commons, 2013)
- Digital Humanities 2013 conference, Lincoln, Nebraska, 16-19 July 2013.
- The Dark Side of the Digital conference, U. Milwaukee, 2-4 May 2013.
- Digital Humanities Panels at MLA 2014 (compiled by Mark Sample)
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Practicum: Getting Started in DH Course "practicums" are hands-on, small-scale exercises that ask students to experiment at a beginner's level with the tools of the digital humanities. The goal is not technical mastery but learning enough about the technologies to think about, and through, their concepts and also to discover which tools might be used in a student's future research. In many cases, experience gained in the practicums will feed directly into discussion of conceptual issues in class. (See Assignments: Practicums).
Class 3 (Oct. 15) — Text Encoding
- Focal Question What is text from the point of view of data; what is data from the point of view of text?
- Focal Readings
- Other Readings
- Steven J. DeRose, David G. Durand, Elli Mylonas, and Allen H. Renear, "What is Text, Really?" [PDF] (1990)
- Susan Hockey, Allen Renear, and Jerome J. McGann, "Panel: What Is Text? A Debate On the Philosophical and Epistemological Nature of Text in the Light of Humanities Computing Research" (ALLC-ACH 1999 conference)
- Kari Kraus, "Conjectural Criticism: Computing Past and Future Texts" (2009) -- This essay occurs twice in the course schedule. In this first pass through the essay, concentrate on the notion of the "allographic."
- Alan Liu, "Escaping History: New Historicism, Databases, and Contingency" [PDF] (originally published 2004; chap. 9 of Liu, Local Transcendence (2008); manuscript version provided here for open access) (read only pp. 317-23 on origins and theory of the relational database)
Class 4 (Oct. 22) — Text Analysis (1): From Close Reading to Distant Reading
- Focal Question What is the relation between "form" and "data" (formal and quantitative knowledge) as approaches to humanistic knowledge?
- Focal Readings
- The Formalist Era
- Cleanth Brooks,
- Boris Tomashevsky, "Thematics" [PDF] (1925), [course password required]
- Vladimir Propp, Morphology of the Folktale (1928/1968), pp. 92-93
- The Data-list Era
Class 5 (Oct. 29) — Text Analysis (2): Topic Modeling
- Focal Question In the humanities, what is the meaning of a "topic"? a "model"? and "meaning"?
- Practicum: Trying Topic Modeling
- Other Assignment Due In class on this date, students will either form up into teams for their mock project prospectus assignment or decide to work individually on that assignment.
Class 6 (Nov. 5) — Social Network Analysis
- Focal Question How do we experience and know a "network"? What is not a network or resists the network model?
- Focal Readings
- Wikipedia article on "Social Networks"
- David Easley and Jon Kleinberg. Networks, Crowds, and Markets: Reasoning About a Highly Connected World, Chap. 1 (Overview) [PDF] (2010) -- read only Chap. 1
- Stephen P. Borgatti,, et al. (2009), "Network Analysis in the Social Sciences" [PDF] [paywalled; UCSB students have free access through UCSB Library Proxy server]
- Scott B. Weingart, "Demystifying Networks, Parts I & II" (2011)
- Franco Moretti, "Network Theory, Plot Analysis," Stanford Literary Lab Pamphlet #2 (2011)
- Elson, David K., Nicholas Dames, and Kathleen R. McKeon, "Extracting Social Networks from Literary Fiction" [PDF] (2010)
- Practicum: Trying Social Network Analysis
Class 7 (Nov. 12) — Deep Space-Time in DH (1): Digital Visualization & Mapping
- Focal Question What can be diagrammed/mapped, and what not? How does the relationship between visualizable and unvisualizable data create a sense of the world and our place in it?
- Focal Readings
- Background: a few pieces to provoke thought about the history and intellectual traditions of visualization and mapping:
- Visualization:
- Mapping:
- Franco Moretti, Graphs, Maps, Trees (Verso, 2005), pp. 35-64 [purchase this book from the UCSB bookstore or elsewhere]
- Zephyr Frank, "Layers, Flows And Intersections: Jeronymo José De Mello And Artisan Life In Rio De Janeiro, 1840s-1880s" [PDF] [paywalled; UCSB students have free access through UCSB Library Proxy server]
- Øyvind Eide, "The Area Told as a Story: An Inquiry into the Relationship Between Verbal and Map-based Expressions of Geographical Information," Ph.D. presentation in King's College New Scholars in the Digital Humanities series, 1 March 2013) (audio recording & slides [PDF]; talk begins at 8 min. 15 sec.)
- Sites to Browse:
- Practicum: Mapping an Idea
Class 8 (Nov. 19) — Deep Space-Time in DH (2): Archives, Pastness, & Media Pasts
- Focal Question How do past or present media negotiate between the self-understandings of people with and "without" a past (i.e., who identify with each other collectively and officially through a "sense of history," or not)?
- Focal Readings
- Background: a few pieces to provoke thought about the history and intellectual traditions of mediated "pastness":
- The Idea of "Archives":
- Media Archaeology:
- Friedrich A. Kittler, from Gramophone, Film, Typewriter (1986, trans. 1999), "Introduction," pp. 1-19 [PDF]
- Wolfgang Ernst, from Digital Memory and the Archive (ed. Jussi Parikka, 2013)
- Jussi Parikka, from What is Media Archaeology (2012), "Archive Dynamics: Software Culture and Digital Heritage" [in course reader]
- Lisa Gitelman, from Always Already New: Media, History, and the Data of Culture (2006), "Introduction: Media as Historical Subjects" [in course reader]
- Matthew G. Kirschenbaum, from Mechanisms: New Media and the Forensic Imagination (2008), "'Every Contact Leaves a Trace': Storage, Inscription, and Computer Forensics," pp. 36-50 [in course reader]
- Practicum: Something Old, Something New
Class 9 (Nov. 26) — Critical Digital Humanities: Making It Different
- Focal Question How can the digital humanities contribute to the humanities in helping human beings understand other ways of "understanding" and of being "human"?
- Focal Readings
- The Deformance Thesis
- The Transform Thesis (also see some of the readings for Class 2)
Class 10 (Dec. 3) — Student Presentations of Project Prospectuses
- Other Assignment Due Student mock project prospectuses (description of assignment) should be online by this date (please place a post or link for your prospectus in the folder for Project Prospectus on the Student Work page for this course. For effective presentations, students may want to create other online resources or slideshow presentations.
John Unsworth, "What’s 'Digital Humanities' and How Did It Get Here?"
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